November 7, 1976: I was attending a Neil Young and Crazy Horse
concert at Balch Fieldhouse on the CU Campus in Boulder. I noticed a young man
wearing a KADE t-shirt. I approached him and introduced myself. He was Nick
Frazer, a DJ and news reporter on KADE. We had a nice chat; he told me that the
owner of his station was buying an FM station and would be needing a program
director.
I had been doing mornings at Denver’s 105.9 KBPI, one of the
city's last bastions of free-form progressive rock music. We played from a
breadth and depth of music that was in the spirit of the underground radio movement of
the late 60s and early 70s. Our main competitor, KAZY 106.7, adopted Lee Abram’s “Superstars
format” in September, and KBPI reacted by tightening the playlist from
unlimited titles to just 165 songs. And with that, the veteran airstaff – Jeff
Pollack, Tom Trunnell, Larry Bruce, Bob Reid and me – found
ourselves replaced by a new, younger crew that wouldn’t object to
playing the same songs several times a day.
I ruminated about how all the great FM rock stations of the '70s
were disappearing from the Denver airwaves. All that was left was KFML on a
tiny AM daytime signal, and KADE, another daytime signal in Boulder. KTCL 93.3
from Fort Collins was fun and KILO in Colorado Springs could rock our world,
but their signals were hard to get in Denver.
I had an idea – create a radio
station that reflects the feeling of Colorado. There was a big roots music
movement underway – with bands and musicians like Stephen Stills, Firefall,
Dan Fogelberg and others settling in the hills of Colorado. The name I came up
with for the station was Coloradio (Color Radio) using the call-letters KOLO.
At Nick’s suggestion, I made an appointment with the station
owner, Bob Greenlee, and presented my idea, complete with a tape of what the
station would sound like. He liked what I had to say, right after the holidays,
I started my employment at the station.
While we waited for FCC approval for the purchase of 97.3,
I spent my days contacting record companies and ordering music for the new
station and doing airshifts on KADE. Boxes and crates of records started
showing up. KADE’s Program Director, Randy Morrison and I would retire to his
home and unpack the boxes and listen to music hours on end. Besides reviewing albums by some
of our local musicians, we went deep into catalogs of artists like Bob Dylan,
Richard Thompson, Poco and others searching out songs that would fit the concept
of Coloradio.
Days turned into weeks and months as we waited for the approval
to turn the station on. And in the process, it became clear that the name
Coloradio, while cute, was going to get old quickly, just as a novelty song is
cute the first few times you hear it, but becomes an irritant after repeated
listens. A different identity was chosen, one that would have lasting power:
KBCO – the BCO standing for Boulder Colorado.
On June 2, 1977 at high noon, getting the green light from the
FCC, the transmitter atop Lee Hill in Boulder was turned up to 250 watts and
the station began transmitting. The first song was one that had just showed up
in the morning mail. A brand new radio station needed a brand new song to
launch. It was by one of our core artists, James Taylor – “Handy Man.”
What a thrill it was to be on the air that day! It’s
exhilarating to hear the fruits of our labor become a reality. Driving home
that night listening to the new BCO was certainly a memory I’ll carry with me
always. I didn’t want to go to sleep.
When we first started, we had a small,
dedicated staff. All of us were handsomely paid $3/hour for our efforts. Honestly, I would have paid to do the job. It was so much fun. I found myself
working on the air at all times – daytime, nighttime, weekends – I just wanted
to be playing the great music. It wasn’t until the Fall that I settled into the
morning show, where I stayed for 16 years.
Here now for your listening
enjoyment is KBCO from that first summer we were on the air. Less than two
months old. It’s the evening and, yes, that hippie talking between the songs is
me. I’ve chopped the middles out of the songs, but left the commercials so that
you can hear the essence of Boulder in 1977.
Through the years, KBCO grew to become the number one radio
station in Denver. The transmitting power continually increased and when the
station constructed its new tower on Eldorado Mountain, the power was raised to
100,000 watts giving it one of the strongest FM signals in Denver. And like
those beginning days of a small dedicated staff, KBCO today finds itself with a
small dedicated staff, hopefully making a little more than $3 an hour.
